Vermont Performance Lab presents a shared program of bold new work-in-process by choreographers from Vermont and Montréal, August 13 at 7:00pm

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Brattleboro, Vermont – Choreographers Michael Bodel from Putney, Vermont and Audrée Juteau from Montréal, Québec will have overlapping residencies at Vermont Performance Lab (VPL) this August as part of VPL’s SEED Program, a new initiative that supports regional dance makers with fees and residencies at VPL and Studio 303 in Montréal. Bodel and Juteau are developing new dance works that will be presented in a shared evening as part of VPL’s IN THE WORKS series on Saturday, August 13 at 7:00pm in the Arts Barn at Hilltop Montessori School in Brattleboro, VT.

Each year, VPL provides artists with residencies and support to research and develop new work in dance, theater, film and music. This year, VPL expanded its reach to include the SEED Program as a way to directly support local artists creating new dance works. VPL and Studio 303 selected Audrée Juteau and the WIVES collective from Montréal, and Aretha Aoki and Michael Bodel from New England for the pilot year of the program.

Michael Bodel’s new multi-disciplinary dance piece, there are caves and attics, is rooted in a 1966 radio essay by Michel Foucault that blends movement, scent, and lip-synching. As part of his research, Bodel will offer a community workshop, Scent. Movement. Meaning., on Tuesday, August 9 at 7:00pm in the Serkin Center dance studio at Marlboro College. Using custom scents as a rich source for creating movement through structured exercises, Bodel’s workshop will address his creative process, historical integrations of scent in performance, and the science underpinning scent and emotion. RSVP for the workshop at www.vermontperformancelab.org/events.

Emerging performer and choreographer Audrée Juteau will develop her latest work Strange stranger at VPL as part of the unique residency exchange with Studio 303 in Montréal. In her recent works, Poisson and Sam affecte, Juteau performed with her dog to experiment with chance and presence in live performance. Now with Strange stranger she draws on inspiration from Lewis Carroll’s tale Alice in Wonderland, and uses hypnosis techniques to explore various altered states of being.

The work-in-process showing of Strange stranger and there are caves and attics is free and reservations are not required. There will be a conversation with the artists immediately following the IN THE WORKS showing.

The 2015-2016 SEED Program is a partnership with Studio 303 in Montréal as part of a dance residency exchange between New England and Québec, and these residencies and IN THE WORKS showing are made possible in part with support from the New England Foundation for the Arts’ National Dance Project, the Vermont Community Foundation, the Vermont Arts Council, the Québec Government Office in Boston and VPL’s Creation Fund donors. This IN THE WORKS event is part of Vermont Arts 2016 – a project of the Vermont Arts Council.

ABOUT VERMONT PERFORMANCE LAB:
Vermont Performance Lab (VPL) is a laboratory for creative research and community engagement. Since 2006, VPL has brought artists of regional, national and international stature to the grange halls, studios and classrooms of rural Vermont through its innovative artist residency program. Last year VPL’s community and education programs served more than 1,700 students, young professionals, families and seniors in Windham County through workshops, informal performances and art-making experiences. VPL often partners with local organizations to host such residencies and create meaningful connections between artists and communities. www.vermontperformancelab.org
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ABOUT STUDIO 303:
Studio 303 began operations in 1989 when three choreographers created a communal space where dancers could train, rehearse and perform. By day a dance studio, the space was transformed once a month to informally present new works within the Vernissage-danse series.

In 1994, Miriam Ginestier and Paul Caskey took over as Co-Artistic Directors, and under their direction new recurring events expanded the organisation’s interdisciplinary profile such as popular fundraising cabarets, Bruits du Noir, Edgy Women, the Home Show, and projet/projo. From 1996 to 2005, Studio 303 also housed Gallery 303 (often voted Montreal’s best gallery by Montreal Mirror readers), and for three years co-presented FA3 – an international performance art festival. Studio 303 created a residency program for emerging artists (1999), expanded the Edgy Women event into a festival (2005), and instigated several artist exchange initiatives.

Since 2005, Miriam Ginestier has been the sole artistic director. In 2009, Studio 303 celebrated its 20th anniversary with VINGT, a choreographic “exquisite corpse” presented at Place des Arts. Studio 303 created SPARK in 2010: an intimate arts showcase and exchange between Montréal artists and international presenters. The Edgy Women Festival celebrated its 20th and final edition in 2013 in situ at a local boxing club, inspiring artists and audiences with its sports/art/gender theme.

In 2013, Studio 303 lost its Canadian Heritage funding after 12 years of consistent support. To accommodate this loss, the organization has downsized its presenting activities and refocused its energy on its roots as an artist-run professional development and creation centre.
www.studio303.ca/en

ABOUT THE ARTISTS:
Audrée Juteau
is a Montreal based performer and choreographer. Her research and creations revolve around the questions of presence and affect. Fascinated by the relationship between the concrete space of the performance and its fictive space - the place without a place where the performance has the power to bring us, she is particularly interested in the point where they meet : a zone of interchangeability in which the perception of the spectator is destabilized and where possibly lies an aesthetic experience of affect. She anchors her practice in a receptive and sensorial body.

Her two last pieces (Poisson and Sam affecte) were involving her dog for its spontaneous and non-performative presence. The human performers lived the performance through its empathic presence and unconventional way of treating time and space. A hightened sensitivity and a delightful confusion of real life and performance were revealed.

In her new work Strange stranger, Audrée will continue her search for hightened presence and continue to deepen her interest in parallel worlds but by reversing this time the concrete and the fictive by working on the idea of animism where objects are alive, and therefore susceptible to flip into the fictional dimension. Inspired by Lewis Carroll’s tale Alice in wonderland in which all senses are reversible and paradoxical - touching the object or being touched by the object, seeing or being seen?- Audrée would like to explore the sense as sensation but also different “senses” that this work can evoke. For doing so, her and her team will work with and within altered states, such as an hypnotic state. With a practice of autohypnosis, they will explore new perceptions of the surrounding and work at making the objects (the strange strangers) around us becoming alive.

Audrée was the recipient of the Impulstanz Danceweb 2010 grant given by Jardin d'Europe and just completed her MA at the Université du Québec à Montréal (UQAM). As a dancer, she collaborated with Sonya Biernath, Katie Ward, la foundation Jean-Pierre Perreault and Deborah Dunn (Trial & Eros), amongst others. Her first choreographer’s experiences were with the collective The Choreographer.

Michael Bodel is a choreographer, performer and dance writer whose current interests include, alphabetically: embodied cognition, Foucault, pageantry, Ralph Lemon, religion, scent, slapping and speaking while moving. Michael collaborates with an array of dancers and designers on long-gestation dance research projects. These have included staged dances, movement installations, dance films, and a dance operas. He takes inspiration from avant-garde filmmaker Trinh Minh-ha in striving to make artwork “not ‘about’ something. only next to” Michael oddly majored in Dance and Astronomy at Wesleyan University and completed an MFA in dance through Hollins University and The American Dance Festival. He feels lucky to be teaching dance as a guest artist at Wesleyan University and Marlboro College. His writings on pageantry and meaning-making in contemporary dance have been published by the Congress on Research in Dance, Movement Research, and the Journal of Emerging Dance Scholars. Michael is the founder and curator of FRAMEWORKS dance film series, which makes its new home in Vermont and small colleges in the northeast. He lives in a delightful spot with his family in the hills of Westminster West, VT.

EVENT INFORMATION:
WORKSHOP: Scent. Movement. Meaning. led by choreographer Michael Bodel

Hosted by Vermont Performance Lab in association with Marlboro College
Vermont choreographer and VPL Seed recipient Michael Bodel invites visitors into his creative process for his latest work there are caves and attics through this experiential dance workshop open to teens and adults of all movement levels. Using custom scents as a rich source for creating movement through structured exercises, this workshop addresses historical integrations of scent in performance, as well as the science underpinning scent and emotion. Please note: the workshop utilizes original, non-allergenic fragrances.
WHEN: 7:00pm, Tuesday, August 9
WHERE: The Serkin Dance Studio, Marlboro College, 2582 South Road, Marlboro, VT 05344
TICKETS: Free | Please RSVP by emailing VPL’s Residency Manager, Katherine at This email address is being protected from spambots. You need JavaScript enabled to view it.

IN THE WORKS: Strange stranger by Audrée Juteau
+ there are caves and attics by Michael Bodel
As part of a dance residency exchange between Vermont Performance Lab and Studio 303, VPL presents a shared program of new work-in-process by two choreographers from Vermont and Montréal. Strange stranger draws on inspiration from Lewis Carroll’s tale Alice in Wonderland, and uses hypnosis techniques to explore various altered states of being. there are caves and attics is a multi-disciplinary dance piece rooted in a 1966 radio essay by Michel Foucault that blends movement and lip-synching with an original olfactory score. This event is part of Vermont Arts 2016, a project of the Vermont Arts Council.
WHEN: 7:00pm, Saturday, August 13
WHERE: Arts Barn at Hilltop Montessori School, 99 Stafford Farm Hill, Brattleboro, VT 05301
TICKETS: Free | No Reservations Required!